Archive for March, 2009

7 Years Without Alon

Friday, March 20th, 2009

Seven years ago today, my cousin Alon was murdered by a suicide bomber on a bus, on his way to Nazareth. I have translated an article, from about a week after the terror attack, written by Natan Zahavi, a good friend of the family.

The Saint

Natan Zahavi says goodbye to Alon Goldenberg, his best friend’s son, who was killed in a terror attack in Wadi Ara

Natan Zahavi, 26/03/02

Wherever he went, people stopped and stared. “God, he looks like Jesus”, they said. Alon Goldenberg, 27 and a half, was murdered on the way to the courthouse in Nazareth because of some shitty offence (with a maximum fine of 200 shekels, in the worst case). 1.98 meters, weighing 83 kilos, a muscular body without a drop of fat, sun-burnt blonde dreadlocks, a tiny ginger beard, green-blue eyes. A good person who never wronged anyone in his life, said the hippie kids when they surrounded his fresh grave and sang for him. Son of the sea, surfer, Yogi, traveler, photographer, a starting philosopher, a human being that seemed like he didn’t belong in this filthy world of ours, went up to the heavens in a fiery explosion because of a programmed suicide bomber sent by a maniac neighbor, those referred to as our cousins; yet another victim of the endless struggle between the damned descendants of Abraham.

Last Tuesday, Alon was busy building wooden facilities in the Nitzanim Youth Village in southern Israel. He went home to his parents’ house in Tel-Aviv, spent the evening with his father, Shlomo “Gulli the fisherman” Goldenberg, his mother Batya, and his younger brother, Dror. “Dad, do you need the car tomorrow?” he asked. “Yes”, answered Gulli, “I have some stuff to do in the Port and some other places”. “OK”, said Alon, “I’ll take the first bus at 5:30 AM”. For about a year he had this case pending, started by the stupidity of a policeman who didn’t adhere to the Police Commissioner’s guidelines about some minor offences that shouldn’t be dealt with by the system. It went on and on and the hearing was delayed again and again, and ended with the bus exploding on the way to Nazareth.

[…]

In the hands of Prof. Hiss

On Wednesday, March 20th 2002, Alon left his parents house in Dizengoff Street to the central bus station. The time was 5:00 AM. Armed with a mini-disc, a copy of Carlos Castaneda’s “The Active Side of Infinity”, a cell phone, and a desire to get rid of this stupid trial that got in the way of building the Youth Village in Nitzanim. At around 7:15 AM, the first reports about a terrorist attack on a bus in Wadi Ara with multiple casualties started coming in. Gulli the fisherman heard about it while being in the Port of Jaffa. I heard about it at home. Gulli called and told me Alon was on his way to Nazareth on the first bus and that he had a bad feeling about this.

We waited for more details. I drove to the radio station, to get ready to do my live show, and the information that started pouring in was worrying. Casualties, tens of wounded. Emergency phone numbers were announced. The hospitals didn’t have someone wounded by the name of Alon Goldenberg. I asked a friend of mine, a lawyer, to check if Alon arrived at the courthouse in Nazareth. They went from room to room, announced his name on the PA, but there was no sign of Alon. I called friends in Magen David Adom, in ZAKA (Disaster Victim Identification) – no sign of Alon anywhere.

At 10:45 AM I announce on the radio that I cannot do the show, I’m going to Gulli. We were trying to find a sign of life from any possible direction. Nada. At some point in time, we decided to go to the Pathologic Institution in Abu Kabir: Gulli, Dror (the brother) and I. The tension was cutting through the air; tears started forming in the edges of the eyes, pressure in the chest. A phone call I received bared no good news. One of the bodies is an apparent match: 1.98 m, blonde dreadlocks, tattoo on the right arm…

On March 8th 2002, three days after the terror attack in the Seafood Market, two weeks prior to the terror attack on the bus in Wadi Ara, I’ve published the following segment: “… tomorrow is a new day, tomorrow there will be new ‘media heroes’, tomorrow there will be new parents burying their children, new orphans, crying girlfriends, tear shedding men, the radio will play ‘Tears of Angels’ and ‘I don’t have another country’, the same politicians will star on the TV and radio, ZAKA will send a new harvest of human flesh to Abu Kabir, and all of us, on borrowed time, will wait our turn to be in the hands of Prof. Hiss.

On the midday of March 20th 2002, I’m feeling the touch of the hands of Prof. Hiss, in the death waiting room at the Pathologic Institution, where we sat and cried. Gulli and Dror went to say goodbye to Alon in the morgue, while I said mine in a hidden corner in the back yard, so that no one would see my sea of tears.

Real-Time Flickr Pandas

Sunday, March 8th, 2009

I am constantly monitoring the Flickr API documentation pages for changes (let’s just say me and a couple of friends have been pounding the Flickr API quite a lot for the last three years or so).

About a month ago, I got a notification about two new methods about Pandas. WTF? Oh, cute panda, nice photos, maybe Yahoo emplyees have extra time on their hands.

I sent a question to Shamir Ramjan, the “Flickr guy for France” I know from Twitter:

What is flickr.panda.getPhotos? looks like an API easter-egg with pandas instead of rabbits… 

His initial reply was 

it’s public? this api call is linked to this mystical proj » http://spedr.com/2k791

I thought maybe Flickr is using some kind of an automated API documentation Zebra which uses reflection to produce the pages, but from what I’ve heard, Flickr’s PHP code does not even use classes (for performance reasons).

hmm anyway it’s available but I guess it’s not helpful at all w/o any documentation for 3rd party dev who need to Explore flickr.

 

Very suspicious. Flickr are up to something. From clues spread around the site and a little bit of JavaScript Beautifying, I figure there is a new set of API methods for pushing (real-time?) photostreams – currently under testing.

The new Flickr: Panda Explore page (screenshot above) displays a constant stream of photos… animated on top of “pandas vomiting rainbows” (according to the tags of the original photo). Below the photo, what appears to be a photo-credit link is actually two links.

Of Pandas and Rainbows” by “The Searcher” is the original photo the poor vomiting pandas were taken from, and a very touching call-for-action to “improve Explore” by not playing “you have to post 2 comments before adding to this group” anymore (Meh). Then the story continues to describe Magic Donkeys behind the Interestingness algorithm, selecting 500 interesting photos out of 7.2M a day (5K photos/min) [the Interestingness algorithm is actually much more dynamic and complicated than that] and ends with the real teaser. Why Pandas. If Explore is done by Donkeys. What’s Panda gotta do with it? “That’s a whole other secret.

The second link, naturally, brought me to the artist, The Searcher, aka Derek Chatwood. Derek is an amazing visual artist (I remember StumblingUpon his quite controversial political illustrations during the presidential campaign). My Interestingness level was rising.

Flickr and ImageKind have partnered up, so I have a small gallery of prints at ImageKind to share with everyone. and by “share” I mean “sell”. But I’ve kept the mark-up to a minimum, I mostly just want people to be able to get quality prints of my artwork, and they do exceptional work. So it’s all about you, basically.

I’m not really sure Flickr and ImageKind have officially partnered up, but there is nothing wrong in making money from these really fine illustrations, and it sounds like everybody wins (hat tips to everyone).

 

I went back to the vomiting pandas and the clues, and tried to figure out what this stream of images is. The flickr.panda.getPhotos is supposed to

Ask the Flickr Pandas for a list of recent public (and “safe”) photos.

Hmm. I’ve tested several of the photos, and none of them were featured in Explore. They weren’t all recent either (some were posted over a year ago). They don’t have extra-ordinary number of views or interactions. The only thing common was that they all looked aesthethic. They looked like “Explore Material” (this one was particulary nice to look at, but I wouldn’t consider it “safe”). What are the Flickr engineers testing here (except for the obvious load on their new JSON-pushing servers)?

Thinking of it, Shamir’s reply sounds a lot like a call for some hacking to get done.

 

Update: Must have missed that official Flickr explanation about the thing. Turns out these APIs are used to get recently interesting and recently geo-tagged photos. And they can’t guarentee the safety of the results.
What pushed me off track even more was the use of undocumented API methods like
flickr.streams.getStream in the Panda code.

Still, was fun playing detective and I think there is potential here for using the same API to enable pushing custom sets of photos in real-time (e.g. taken right now at a specific venue).

the “new internet”

Sunday, March 8th, 2009

the “old internet” was all about talking. the “new internet” is all about listening.

Kutiman: Thru-You(Tube)

Friday, March 6th, 2009

Update: Check out Researching ThruYOU for downloads and information about Kutiman’s YouTube remix project


Yesterday, when I first set my eyes and ears on what Ophir Kutiel (aka Kutiman) did, my mind was immediately blown away by the freshness, the untamed talent and the attention to details. Did it really take him only two months to produce?!

The minimalist site, thru-you.com (which is down, again), designed by Bacon Oppenheim (who also did the amazing innovid site), gave the perfect feeling. The music and visuals sent shivers down my spine and gave me goose bumps (especially the final part of I’m New).

I found myself feeling the same feelings of astonishment when I first listened to DJ Shadow’s Brainfreeze, or during Coldcut’s live performance in Tel-Aviv. I immediately started downloading the MP3 tracks – I had to “own” a copy… Then I went over some of the original videos, which were used as samples in the tracks, and started having YouTube conversations with some of the surprised talents, who seemed extremely flattered (as they should!). Then I emailed Kutiman (and got a very warm response from his agent), and started sending every one I know to the site… which was already down. I’m still wondering why they chose to stream the video from their servers, instead of using YouTube’s most powerful feature – embed. Since I didn’t want people not to be able to experience it, I set up a very minimalist “unofficial mirror” site, containing the MP3 files and the YouTube videos downwithutube put online (great thinking, and kudos for including all the links to the originals!).

Kuti, if you’re listening, you are a genius, and I think you’ve just started a revolution (just an example: see what Kevin Rochowski wrote here. He immediately went to the iTunes store and purchased Kutiman’s debut album). I am new.

P.S. You can follow @kutiman and tell him how much you loved his project. Also, I wonder what Colbert is going to have say about it.

Update: I’ve just added the full list of credits/samples to the mirror site, thanks to progosk and Andy Baio.

Update #2: I’ve made the credits/samples list more usable, and I’ve officially changed the title to Researching ThruYOU. I am interested in collecting information about the featured musicians and how this project affects their lives. Please post a comment or edit this wikipedia page